Here's an interesting lp that compiles recordings from The Library of Congress by the Lomaxes and others to present an overview of children's songs in both rural and urban America. Songs were collected from different ethnic groups,mostly blacks and whites from the South, but also Cajuns, Mexicans, native americans... Some performers are well-known to folk music fans: Almeda Riddle, E.C Ball, Uncle Alec Dunford, Bessie Jones from the Georgia Sea islands singers, Vera Hall...In reading the liner notes (included as a pdf file) we understand that children's songs are a very important part of a folk tradition, one where spontanious creativity is best represented and also a strong link to the adult's world. A good part of the material on the record is in fact sung by adult singers who remember songs from childhood.
Wednesday, December 30, 2009
Old Mother Hippletoe-Rural and urban children's songs
Here's an interesting lp that compiles recordings from The Library of Congress by the Lomaxes and others to present an overview of children's songs in both rural and urban America. Songs were collected from different ethnic groups,mostly blacks and whites from the South, but also Cajuns, Mexicans, native americans... Some performers are well-known to folk music fans: Almeda Riddle, E.C Ball, Uncle Alec Dunford, Bessie Jones from the Georgia Sea islands singers, Vera Hall...In reading the liner notes (included as a pdf file) we understand that children's songs are a very important part of a folk tradition, one where spontanious creativity is best represented and also a strong link to the adult's world. A good part of the material on the record is in fact sung by adult singers who remember songs from childhood.
Tuesday, December 8, 2009
The Delta Sisters- Music From The Old Timey Hotel
I bought this lp a few weeks ago just because i loved the sleeve and the title and was not disappointed by the music also. In fact it's a great record, issued in 1981 on Rooster Records, from a duo of two girls who sing in harmony and play guitar and fiddle some very fine cajun, old-time country, Delmore Brothers numbers. They are accompanied by friends from the west-coast old-timey/folk/bluegrass community and among them, surprise, some of my all-time favorite musicians, Jody Stecher and Eric and Suzy Thompson who provide their vocals and instrumentals excellence on some tracks.
Monday, November 30, 2009
Jean Ritchie- Elektra LP
This is one of the oldest Jean Ritchie lp, issued by Elektra Records in the 1950's. Coming from a very musical family from Viper, Kentucky, Jean Ritchie came to New York to study in the 1950's and introduced many people there to the traditional music of the Appalachian mountains. With her sweet voice and gentle dulcimer playing, many fell in love with this type of music and the great folk revival was on his way... On this lp, her very first recordings, she sings her usual repertoire of old ballads, play-party songs and dulcimer pieces. It includes her most popular pieces like Shady Grove, The Cuckoo (2 versions here) or Black is the color...
Friday, October 30, 2009
Eight-Hand Sets & Holy Steps- Early Dance Tunes and Songs of Praise From North Carolina Tradition
The lp i'm introducing today is a beautiful document of black folk music from the North Carolina region. It's a sampling of the rich and diverse music blacks were playing around the middle 1800's through the early years of the 20th century. It was recorded in North Carolina in the 1970's, at a time were you could still here this kind of music among older black musicians or by their children who kept the tradition alive. The first side of the lp is devoted to dance tunes, also called rags and reels, that were played at social gatherings with guitar, banjos, fiddle, harmonica, bones etc... The second side features songs of praise and spirituals played either by groups or individuals. Some of the musicians are well-known by fans of pre-Blues and Black String-band music ( The duets of Joe and Odell Thompson on fiddle and banjo for example).
Thursday, October 8, 2009
Benny Thomasson-Country Fiddling from The Big State
We continue this week with fiddle music, this time from Texas, with one of the best fiddler from the Big State, Benny Thomasson. Texas fiddle music is a bit more sophisticated than in the rest of the South, with longer bow strokes, variations and the influence of Fiddlers Contests and popular music. This will eventually give birth to a genre of music called Western Swing in the 1930's and Benny was an adept fiddler in this style too but on this lp he plays mostly old-time fiddle tunes (it contains maybe the most beautiful rendition of the haunting "Midnight on the water"), with a few rags in between. He learned the old-time tunes at a very eary age with his father Luke and his uncle Ed, both excellent fiddlers and soon was competiting and winning many a fiddle contest with his own variations on the old tunes. He did record commercialy in 1929 but the two sides were never released by Okeh. Rediscovered in the 1970's, he recorded and participated in many fiddlers contests and many young fiddlers learned from him, and was remembered not only for his skills on the instrument but also for his generous and warm personnality.
Thursday, October 1, 2009
John W. Summers-Indiana Fiddler
Monday, September 14, 2009
CD Review- Casey Joe Abair and Hunter Robertson "If you want to sleep, go to bed"
Here's a quick review for an excellent new cd i received a few days ago. Under the evocative title "If you want to sleep, go to bed" (A saying by banjo-player Charlie Lowe, who was a major figure of the Round Peak old-time musical tradition and who liked his music fast...) it contains almost exclusively fiddle and banjo duets by two young musicans, Casey Joe Albair and Hunter Robertson. The fine art of fiddle and banjo duets is the core of american old-time music and the two musicians gives us an excellent and energetic selections of instrumental tunes, some well-known, some more obscure, along with a few old-timey songs sung in the expressive and rough vocal style of banjo player Hunter Robertson. The contrast with the delicate voice of his wife Fereale who join him on three numbers makes a delightful combination (it reminds me of some Blind Willie Johnson numbers where the rough street singer sings with a woman).
Friday, September 4, 2009
Mike Seeger-Fresh Oldtime String Band Music
This is my tribute to Mike Seeger who passed away this summer... Mike was one of the greatest revivalist musician that came out of the folk revival and a passionate advocate of american old-time music for more than 50 years, alone and with the New Lost City Ramblers. He played on almost every folk stringed instruments: Guitar, banjo, autoharp, fiddle, mandolin, dulcimer... and was a model for a lot of people(including myself) to learn and play authentic old-time country music.
Wednesday, July 22, 2009
Fields Ward-Bury me not on the prairie
Well, already a month passed without uploading a new lp... So, hoping that quality is better than quantity, i offer you today an out-of-print lp by Fields Ward, issued by Rounder in the 1970's.
Monday, June 22, 2009
Erik Darling
Erik Darling was a fine folk singer, banjo and guitar player that emerged during the Folk Revival and passed away last year at the age of 74.. In the 1950's, he formed the Tarriers, a succesful folk group that created a calypso craze with "The Banana Boat Song". He later joined the Weavers to replace Pete Seeger and formed another succesfull band called "The Rooftop Singers" who made a hit with the old jug band song "Walk Right In".He played on many sessions with other folk singers, including Ramblin' Jack Elliot, Judy Collins, Jean Ritchie, etc... He recorded also some fine solo lps and wrote an autobiography which tells of his experiences and aventures during the great days of the Folk Revival, including the famous folk music sunday sessions on Washington Square in New York.
Thursday, June 4, 2009
The World's Jukebox
Monday, June 1, 2009
Holly Tannen & Pete Cooper- Frosty Morning
Monday, May 4, 2009
Dykes "Magic City" Trio
Here's a lp that compiles all the 78rpm records by Dykes "Magic City" Trio, an old-time square dance band of the 1920's. The band was in fact a trio with in his center the appalachian fiddler John Dykes. The guitar player was Hubert Mahaffey and the autoharp player, Myrtle Vermillion (a cousin of Sara Carter). The trio came from the Virginia region and recorded two sessions in the 1920's, thanks to Dock Boggs, who introduced them to the record company. Their records apparently had some success in their time but the band did not record again.
Sunday, April 19, 2009
John Molineux-Douce Amère
Here's a really beautiful folk lp from 1978 by John Molineux, musician and instrument-maker, featuring his invention, the dulcichord, a kind of sophisiticated dulcimer. John was born in America but lives in France since the 70's (in Britain, not so far from where i live). He was a member of the John Renbourn Group for a few years and released two lps on his own. This is his first one, and it includes a good selection of traditionnal tunes and songs from Ireland, England and France. The irish harp tunes in particular, (from O'Carolan and others) sounds beautiful on the dulcichord. It features also some of my favorite ballads (Rosemary Lane, Lowlands of Holland), so, in brief, it's a record i cherished for many years and i wanted to share it with you...
Thursday, April 2, 2009
Mike Seeger-Music From True Vine
This is an out-of-print lp released in 1972 by Mercury Records by Mike Seeger, one of my favorite american roots music revivalist. Mike can play on most of the folk instruments and always delivers refreshing versions of old ballads, string-band music, country blues... On this lp he plays guitar, banjo, autoharp, mountain dulcimer, jaw's harp, fiddle and sings a delightful unaccompanied version of the ballad "Black is the color of my true love's hair". He also plays a really nice tune/song on the banjo called "Little Betty Ann" which is a variation of the "Shady Grove" melody.
Sunday, March 29, 2009
Africa and The Blues
"In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues.
Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt.
Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions.
With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world.
Gerhard Kubik is a professor in the department of ethnology and African studies at the University of Mainz, Germany. Since 1983 he has been affiliated with the Center for Social Research of Malawi, Zomba. He is a permanent member of the Center for Black Music Research in Chicago and an Honorary Fellow of the Royal Anthropological Institute of Great Britain and Ireland, London."
This week, my post is the companion cd of the book descibed above, 36 tracks of excerpts from both afro-american Blues and african music that illustrates the theories of Gerhard Kubik regarding the vocal and instrumental patterns that occurs in the two musical styles. A fascinating listening experience...
I included photos of the liner notes inside the zip file but to really appreciate this disc, you'll have to read the book...
To Nicolas, of "River's Invitation"
Wednesday, March 18, 2009
Paul Anastasio, Joe Holley and Frank Hicks-We Ain't Misbehavin'
Here's a superb album of fiddle swing jazz by two masters of two genrations: Paul Anastasio, the younger one, have been playing fiddle since he was 9 years old, classicaly trained first, he turned afterwards towards the world of jazz and country music, assimilating a lot of different styles, from western swing to old-time, and studied with the great Joe Venuti. The older fiddler here is Joe Holley, who was a member of Bob Wills's Texas Playboys, one of the finest western swing band ever. The guitarist who accompanies them, Frank Hicks, played with various western swing and jazz bands but also with Any Old Time String Band and Jean Ritchie. (For further informations on the musicians, you'll have to read the liner notes above).
Thursday, March 5, 2009
Jody Stecher & Friends-Snake Baked a Hoecake
"Snake baked a hoecake" is Jody Stecher's first lp, issued by Bay Records in 1974. In my previous Jody Stecher's post ("Rasa" with sitarist Krisna Bhatt") i already told how great musician he is and how he manages to pick up the best from every musical traditions he goes into. On this album, there's a mix of american and irish/celtic tunes and a awesome song with a indian flavor (Leela,leela...every time i listen to it, it makes me want to sing and dance and go live in an ashram). Jody is playing with a bunch of friends and the whole atmosphere of the lp reflects the good time they have playing together. On his next album, "Going up on the mountain" (one of my favorite lp of all time), he would continue in a more bluegrass vein, with more singing than on this one. There would be also the first duets with Kate Brislin, her wife and musical partner with whom he made some superb records ever since.
Tuesday, February 24, 2009
Georgia Sea island Songs
This week's lp is recordings made in the Georgia sea island by Alan Lomax of both religious and secular traditionnal songs. You'll have to read the liner notes that i provide in the zip file to learn about these ancient black traditions that remained for so long in these island and you'll know how wonderful these performances are by listening to it. In a way it reminds me a lot of another group singing, those of the Bahamas islands from which Joseph Spence comes from.
Tuesday, February 10, 2009
Almeda Riddle-How Firm A Foundation
This week i post a lp by the great traditionnal singer, Almeda Riddle. Born in Arkansas in 1898, Almeda was considered a national treasure by american folklorists. She knew hundreds and hundreds of old ballads and songs and was a very important figure of the folk revival. Many came back to the tradition of unaccompanied ballad singing after they heard her performed at a folk festival in the sixties. Unfortunately, there's not many records available today of her, apart for a few tracks on the "Southern Journey" collection by Alan Lomax. But there's a website dedicated to the collection of John Quincy Wolf, the folklorist who discovered her, that features more than 80 recordings of Mrs Riddle along with many other perfomers from the Ozarks. Check it out, it's a great resource for those interested in american traditionnal traditions.
Sunday, February 1, 2009
Tony Mac Mahon- Legendary Irish Button-Accordion Player
I noticed that many of my previous posts featured guitar or banjo players (maybe because that's my main instruments) so i decided to post something different today. This is the first album of Tony Mac Mahon, a famous button-accordion player from County Clare, Ireland. A true master of his instrument, deeply rooted in his tradition and in the same time very innovative and emotive player, he's reknowed for his playing of slow airs, as you will hear on this lp, but the lively tunes are wonderful as well.
Sunday, January 25, 2009
Rev. Pearly Brown "It's a mean old world to try to live in"
Reverend Pearly Brown was a blind street singer and preacher, like Reverend Gary Davis, with a simple but effective guitar style and a very soulful voice. His repertoire, while purely religious was very large; Spirituals, Holy Blues, gospel,traditionnal slave songs, etc...
Tuesday, January 13, 2009
Just Dave Van Ronk
Here's an lp from 1964 by the great folk/blues singer Dave Van Ronk. A major figure in the New-York folk scene of the early sixties and an inspiration for the young Bob Dylan, Van Ronk remained somewhat an outsider all his life and never gained popular success. A Singer with a strong voice, and a fine fingerpicking guitarist, he was one of the few white man who could sing the Blues with real passion and authenticity. New-Orleans jazz was his first musical love and he was the first one to play ragtime pieces on the guitar. During 40 years he stayed true to his music and beliefs, and his autobiography, "The mayor of Mac Dougall", that he wrote with the help of Elijah Wald just before his death, is the finest and funniest portrait of Greenwich Village and the folk scene of the sixties ever written.